|
 |
The nearest approach to |
|
|
|
The nearest approach to any such enthusiastic tribute, is that which sometimes awaits the successful tragic poet at the representation of his dramas; but, besides the lion's share of applause which the actor is apt to appropriate, what dramatic writer, in our own experience or history, has been greeted with such homage as that paid to Handel, when the king and people of England stood up in trembling awe to hear his _Hallelujah_ chorus?-that which hailed Mozart from the enraptured theatres of Prague when listening to his greatest operas?-that which fanned into new fire the dying embers of Haydn's spirit, when the _Creation_ was performed at Vienna, to delight his declining days, before an audience of 1500 of the Austrian nobility and gentry?
The ancient poets felt the force of those emotions which musical sound produces, and shadowed out under its name the great principles of human harmony and social order.
Похожие новости:
The noise of footsteps
But when to this
But let that cowardly
In this way a
The bow like the
I allude to the
The rural inn at
The whole subject should
Trusting that by the
They were 3485 feet
Another concerto follows ten
It is a singular
Mozart gave him the
OAKS We observe three
On finding himself alone
Nor had she hesitated
I was sure you
We have seen him
VII Nova Genera et
The taller of the
Besides fly rods and
Years after when those
At all events rejoined
Such are the opinions
The capital of these
There is no saying
But his movements were
They do not do
The incident to all
There is a reciprocity
In approaching Paris Mozart
The uniform appearance which
Prague ought to retain
At the same moment
Upon his arrival in
The effect is painfully
In April 1803 he
Whilst Santos Ladron an
In the autumn of
MOZART 6 The true
Poland had been preserved
With pleasure replied the
What the influence and
But as we are
As observed by Mr
We began now to
But before it had
But the insecure and
|
|
|
|
