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For this reason the |
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For this reason the
committing to paper is done quickly enough, for every thing is, as
I said before, already finished; and it rarely differs on paper
from what it was in my imagination. At this occupation, I can
therefore suffer myself to be disturbed; for whatever may be going
on around me, I write, and even talk, but only of fowls and geese,
or of Gretel or Barbel, or some such matters. But why my
productions take from my hand that particular form and style that
makes them _Mozartish_, and different from the works of other
composers, is probably owing to the same cause which renders my
nose so or so large, so aquiline, or, in short, makes it Mozart's,
and different from those of other people. For I really do not
study or aim at any originality; I should, in fact, not be able to
describe in what mine consists, though I think it quite natural
that persons who have really an individual appearance of their
own, are also differently organized from others, both externally
and internally.
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Finding himself at length
Ha my excellent Bona
But when to this
The headsman who was
The celebrity of Mozart
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You had no pity
When the seed has
Presently a small hand
The remainder of Baron
Such are the qualifications
Could one empty a
We have seen him
A heap of chopped
Perhaps there is still
After numerous narrow escapes
To whom all Communications
Such is the account
As a contrast to
The excessive heat and
Of the amount of
As we have set
His father was a
The popularity and acknowledged
The proposal however made
It is not wonderful
From the agricultural labourers
We meet him every
In such an imaginary
Well may they deem
It is hardly possible
How to manage the
Wherever the system has
What are you going
It has been computed
Passing over a score
An imperceptible ascent conducts
But all his well
In those desert regions
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